2020
226 pages
$37.95
ISBN 9781684482214
Campos Ibéricos
In its early transition to democracy following Franco's death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in "cultural tourism" as a tool for economic growth and urban renewal. The artist novel began to proliferate for the first time in a century, but these novels - about artists and art historians - have received little critical attention beyond the descriptive. In Between Market and Myth, Vater studies select authors - Julio Llamazares, Ángeles Caso, Clara Usón, Almudena Grandes, Nieves Herrero, Paloma Díaz-Mas, Lourdes Ortiz, and Enrique Vila-Matas - whose largely realist novels portray a clash between the myth of artistic freedom and artists' willing recruitment or cooptation by market forces or political influence. Today, in an era of rising globalization, the artist novel proves ideal for examining authors' ambivalent notions of creative practice when political patronage and private sector investment complicate belief in artistic autonomy.
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Reviews
"Vater's volume is a remarkable contribution to studies of the contemporary Spanish novel, and its readers will find many ways to connect its conclusions to the current status quo."
- Symposium: A Quarterly Journal in Modern Literatures, August 2021
"[I]s the value of an artist and her product intrinsic or extrinsic to society? Katie Vater's intriguing study engages this question through an analysis of several Spanish literary works produced between 1992 and 2014."
- Bulletin of Spanish Studies, 2021
"The book makes a compelling case for the effects that neoliberalism has on cultural capital and supports its convincing argument with an all-encompassing literary analysis that masterfully interprets the primary texts in their historical and geographical context."
-Hispania, June 2021
"Between Market and Myth covers a fascinating topic which allows for the exploration of questions central to the cultural production of the period and of the changing, at times contradictory, role of the artist. The topic is exciting and timely, and Vater presents a provocative frame for the discussion."
-Elizabeth Drumm, author of Painting on Stage: Visual Art in Twentieth-Century Spanish Theater
About the author:
Katie J. Vater is an assistant professor of Spanish at the University of Wisconsin-Milwaukee. Her published research centers on inter-art dialogues and ekphrasis, in addition to the artist novel and representations of cultural labor. Her current research examines neoliberalism's relationship to literature in Spain, especially after the 2008 financial crisis.
Distributed by Rutgers University PressCloth: $150.00, 9781684482221; EPUB: $37.95, 9781684482238
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